Art Dynamics Bali Tourism Culture

Art Dynamics Pertujukan Bali Tourism Culture in Context
In general, the performing arts of Bali can be categorized into three: wali (sacred performing arts), which only made when the ritual worship; bebali performances are dedicated to the ceremony but also to visitors; and Balih-balihan nature for mere entertainment in public places. This categorizing affirmed in 1971 by the Advisory Council and Cultural Development (LISTIBIYA) Bali in response to increasing tourism to the show merambahnya arts sacred nature. This meeting recommended that caregivers and the arts that are not bebali dikomesialkan.

Bandem and de Boer in his book Kaja and Kelod: Balinese Dance in Transition in detail to classify the various performing arts in Bali until the early 1980s. Belong to the trustee for example: Berutuk, Sang Hyang Dedari, Rejang and Row Gede; bebali such as: dance, Mask Pajegan, Wayang Wong; and Balih-balihan including: Legong, Parwa, Arja, Prembon, and Joged.

Writing carefully about the Performing Arts Drama and Dance of Bali was first publicized in 1938. Ironically, and certainly not too surprising, that this book written by a stranger named Walter Spies and Beryl de Zoete. Is not a stranger intervention is already part of the history of Bali in general? Walter Spies, Peranakan Russian-German, was a foreigner who is very famous in Bali. He came and settled in Bali starting in 1927 until Jepeng occupation in the early 1940s, a musician, painter, who has a very deep interest in the performing arts in Bali.