kuta beach bali

Now, Kuta is Bali's most famous and popular beach town. One of its primary attractions is its long stretch of white sand along its picturesque bay. The famous Kuta sunset is stunning, and there is a wide selection of hotels and bungalows to choose from. Kuta is also known for its lively nightlife, its wide variety of international restaurants, and its many recreational activities.

Nyepi Day in bali

Nyepi Day

Nyepi Day is celebrated every year New Caka (compulsary Caka). Namely on Tilem Kesanga (IX) which is the day pesucian Gods who are in the central core of the ocean that brings living water sarining (Tirtha Amertha Kamandalu). For that Hindus do worship sacred to the Gods.

Nyepi Day celebration is as follows:

1. Tawur (Pecaruan), Pengrupukan, and Melasti.
   
   The day before Nyepi, namely the "ping" panglong 14 sasih kesanga "Hindus perform ceremonies at a traffic Yadnya Butha and home environment respectively, by taking salahg one of the types of" Caru "according to his ability. Yadnya Bhuta, each named; Panca Sata (small), Relatives (medium), and Great (large).

2. Nyepi
   
   Keesoka day, namely on "ping" panglong 15 "(Tilem Kesanga), comes the Nyepi Day. On this day done fasting / peberatan Nyepi called Chess Beratha Penyepian and comprises; observe Geni (no berapi-api/tidak use and / or turn on the fire), observe the work (not working), observe lelungan (not traveling), and observe lelanguan (do not listen to entertainment). Beratha this is done since before sunrise.

3. Ngembak Geni (Ngembak Fire)

Last of the celebration of Hari Raya Nyepi is a day which falls on Geni Ngembak date pisan ping (1) sasih kedasa (X). On the day This is the new year begins Çaka. Hindus bersilahturahmi with large families and neighbors, mutual forgiveness forgiveness (ksama), each other.

With the new atmosphere, new life will begin with a clean white hearts. So if the year ends BC December 31, and each new year begins January 1st, the year ended Caka limolas "panglong ping (15) sasih kedasa (X), and the new year began on 1 sasih kedasa (X).

a bigday pagerwesi in bali

The word "pagerwesi" means a fence of iron. It represents an iron said strong protection. Everything that is lined with high value means something to avoid a disruption or defaced.

On this day we worship and prostration kehadapan Ida Sang Hyang Widhi, Hyang Guru along with Panca Dewata Pramesti're doing yoga. According pengider-ideran Panca Dewata are:

1 Sanghyang Içwara located in the East
2 Sanghyang Brahma domiciled in South
3 Sanghyang Mahadeva located in the West
4 Sanghyang Vishnu located in the North
5 Sanghyang Çiwa located in the middle

Sat Ekam God in the singular. Panca Dewata from it we get the sense, how Hyang Widhi with five manifestations denoted envelops and permeates all creation (wyapi-wiapaka and nirwikara). Also with the motion that was Hyang Widhi give life and life to us. Essence of life that exist in each of us is part of the power. On the feast of our Pagerwesi prostration to Him, to ponder and pleaded with our lives direstuiNya with tranquility, progress and others.

His-widhana Widhi is: holy, express penyeneng sesayut penta-phallus, penek rerayunan by raka-raka, perfume, flowers, incense smoke arum, dihaturkan in Sanggah Kemulan (Kemimitan). The bottom dipujakan to Panca Maha Bhuta is the Supreme Segehan overseas colors (according urip) with wine tetabuhan berem. The Panca Maha Bhuta should rejoice and love to help us, to guide the way to salvation, so as to achieve Bhukti mwang Mukti.

cultural impact in bali

Besides the problems of COM modification and milling, a problem that is often being discussed is the lack of respect or appreciation of the penguasaha tourism to traditional artists. In addition to payments that were classified as low performing arts are often positioned as a complement to the show, usually had dinner at the hotel / restaurant. Artists given the modest facilities and are often not properly introduced. How deep appreciation can occur when the attention of the audience should be divided between pendant food and watch the show? It was common knowledge that in places where tourism show guide or drivers who take tourists get 25-50% commission from the price of admission.

Similarly, the art broker (intermediary between artist and buyer) to take a high percentage of the price offered so that the wages received by the artists is very minimal. This may be caused by the large number of artists / arts groups in Bali (high supply), coupled with the lack of such knowledge and managerial skills most artists / artist groups, and because of cultural traditions naiad (the show as a gift and inner satisfaction) that remain condensed among activist art. Bargaining position of artists in the presence of the tourism entrepreneurs to be low, as reflected by the existence of competition in lowering prices between groups with one another.

cockfight gambling tajen in bali

In public life in Indonesia, cockfight gambling are well known and quite popular in some communities in some areas. In Balinese cockfight gambling known as Taken, which comes from the word meaning a sharp spurs and has grown quite rooted in the life of the Balinese community.

In the beginning, "Taken" is part of religious rituals or red drum seta take place in the Balinese Hindu community. Which of these require the existence of red drum that was dripping blood as symbols / terms of purified human avarice / greed against the values of materialistic and worldly. Hit the red is also significant as a blind ritual Tanya which the blood that dripped to the earth, mankind is symbolized as a request to Sang Hang Within Was a order to avoid distress.

In line with the dynamics of the social life of the people of Bali, has been movement in the meaning of the ritual and the red drum, red drum in which the meaning or stamps have been manipulated and diterminologikan seta as Taken. Yet when examined, red drum and taken is a different sense, but in fact, red drum used shields to hold taken.

Ironically taken reality can serve as a medium of interaction and communication across social strata. Background in social status to a liquid and run, people mingle and merge physically and emotionally, all parties focused on the second bout of chicken fights. Even taken by society has also been viewed as one form of entertainment and games tunic eliminate boredom and physical fatigue after heavy activity.

In recent decades the position and role taken getting stronger and it seems to get legitimacy from various circles of society. Some unscrupulous people who held beragurmentasi that taken intended solely for the purposes of construction or development of social economic life of indigenous peoples. From the perspective of legal anthropology, this social phenomenon is a process of decriminalization taken as gambling.Although the terms of the Hindu religion in particular, in the scriptures there is no single adapting Wada that justifies the existence of various forms and types of gambling activities.

sanur beach of bali

On the Eastern coastline and sheltered by a coral reef, the waves in Sanur are much gentler than in other areas of Bali. Fisherman still wander the beach, and the colorful outrigger canoes can be hired for sailing trips along the coast and to outlying islands.

monkey temple in sangeh of bali

Sangeh is a foothill village that includes about 14 hectares of dense, unmolested forest with hundreds of monkeys in residence. The unique trees cannot be found in any other part of Bali, and their existence in Sangeh remains a mystery.

A lovely, mossy temple -- hidden amongst the tall and gracious trees -- provides an exotic setting for interacting with the multitudes of banana-loving critters.

sakenan temple in bali

Built in the 13th century on a small island very close to Benoa Harbour and Nusa Dua, Sakenan Temple can now be reached by road.

Pura toss religious and cultural in Bali

Hinduism in Bali is a social community that the religious, which is always closely connected with nature of God (Sang Hyang Widhi Wasa), so many pretend to be found as a place of worship of its manifestations in accordance with Hindu community functions such as pelinggih, penunggun reefs, temples dadia , corrected kemulan, temples and khayangan three others. Pura toss is one temple that is functional as a place of worship Bhatari toss.

Bhatari can be equated with the god toss Kwera (god of money), which in Bali is known as a hair Bhatari Sedana. As tangible as the toss is Ida Ayu Bhatari Subawa is the daughter of Dang Hyang Nirarta that have changed shape. Toss Temple is located at the northeast corner, leads to the market and there is also a toss Temple was located in the middle market. Who adored and who is responsible for the Pura toss are the people involved in market activities, both merchants, and workers responsible for the toss along with piodalannya Pura.

Pura toss is included religious and cultural aspects are very important position in the life of the community to provide Bhoga, Upa Bhoga Bhoga and Pari, into society is just, and prosperous. Market is one place to indulge in pursuing Jagathita (physical happiness) as a place providing shelter materials, food and shelter and do not neglect the spiritual interests by pretending Melantingnya.

Given the technological advances the market has undergone many changes both in its infrastructure facilities but also the case with the state pretending to throw from a simple form of a more permanent form. However do not modify the function of the temple but still maintaining its function as appropriate by the Hindu community and religious values did not fade proved the existence of trust in the Bhatari toss. It also makes one of the attractive force of the tourist island of Bali.

Pura definition toss

Pura toss is one Hindu temple in Bali. Pura is intended to be functional as stana (pelinggih) Bhatari toss. Bhatari toss abstract terms as head of the leadership "Wong Samar" that controls the entire universe, while the terms of his spiritual duty to protect / guard the safety of traders and give citizens in every Bale Banjar and each of the markets in Bali.

Ngaben cremation culture of bali

Understanding Ngaben

Ngaben generally defined as a cremation, although the etymological origin of the word is not quite right. Besides there is no tradition Ngaben through cremation.

Ngaben actually comes from the word "beya" means the provision, namely in the form type that is needed in the ceremony Upakara Ngaben it. Beya said that means lunch, later in the hull of Indonesia into the cost or "prabeya" in Balinese language. people who hold beya in Bali called "meyanin". Ngaben or meyanin said, has become the standard language, to mention uppacara "wedhana Sawa." So really no longer need to be debated origin of the word. What is clear is upaccara meyanin Ngaben or organizing Sawa (bodies) for those who have died.

Ngaben or meyanin in terms of other standard, which was mentioned in the papyrus is "atiwa-Incident". Atiwa said even this can not be sought in origin, possibly derived from the native language of the Archipelago (Austronesian), considering this kind of ceremony we also encountered the Dayak tribe in Kalimantan, which they call "tiwah". Similarly, in the land of the Batak we hear the term "tibal", to mention a ceremony after the death.

Ngaben or meyanin ceremony, or also atiwa-occurrence, for the Hindu Tengger Mountains known as "entas-entas". Entas words remind us of the principal ceremonies Ngaben Bali. Namely tirta pangentas (holy water) which serves to terminate the love of the Atman with the body and deliver the Atma to the carnal nature Pitara (afterlife).

In other languages in Bali, which connotes fine, it is called Palebon Ngaben, which comes from the meaning prathiwi dust or soil. Palebon means making prathiwi (ash). To make the land there are two ways, namely by burning and planted into the ground. But how to burn is the fastest.

Place to process a land called "pemasmian" and called tunon their area. Tunon derived from the word "tunu" which means to burn. While pemasmian derived from the word kill, which means destroyed. Other Tunon he said was "Setra" or "sema." Setra means dost. While the origin of the word sema smasana which means Durga. Goddess Durga bersthana in this Tunon.

Art Dynamics Bali Tourism Culture

Art Dynamics Pertujukan Bali Tourism Culture in Context
In general, the performing arts of Bali can be categorized into three: wali (sacred performing arts), which only made when the ritual worship; bebali performances are dedicated to the ceremony but also to visitors; and Balih-balihan nature for mere entertainment in public places. This categorizing affirmed in 1971 by the Advisory Council and Cultural Development (LISTIBIYA) Bali in response to increasing tourism to the show merambahnya arts sacred nature. This meeting recommended that caregivers and the arts that are not bebali dikomesialkan.

Bandem and de Boer in his book Kaja and Kelod: Balinese Dance in Transition in detail to classify the various performing arts in Bali until the early 1980s. Belong to the trustee for example: Berutuk, Sang Hyang Dedari, Rejang and Row Gede; bebali such as: dance, Mask Pajegan, Wayang Wong; and Balih-balihan including: Legong, Parwa, Arja, Prembon, and Joged.

Writing carefully about the Performing Arts Drama and Dance of Bali was first publicized in 1938. Ironically, and certainly not too surprising, that this book written by a stranger named Walter Spies and Beryl de Zoete. Is not a stranger intervention is already part of the history of Bali in general? Walter Spies, Peranakan Russian-German, was a foreigner who is very famous in Bali. He came and settled in Bali starting in 1927 until Jepeng occupation in the early 1940s, a musician, painter, who has a very deep interest in the performing arts in Bali.